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WEAD
East I
Women and the Environment
April
5 - May 3, 2006
Michele
Brody
Jackie Brookner
Agnes Denes
Silvianna Goldsmith
Janice Gordon
Shelley Haven
Donna Marxer

The
seven women in this exhibition come to us with a story of our relationship
to our earth. They have in common a connection to WEAD, the Women
Environmental Artists Directory, a publication developed on the
West Coast by Jo Hanson and Susan Leibovitz Steinman. Over one hundred
women from all over the world are listed in this directory that
has become a clearing ground for people concerned with the future
of our world.
Last
summer I saw an exhibition of West Coast WEAD artists entitled Ecovisions
at the Thoreau Center for Sustainability in the Presidio in San
Francisco; that exhibition was the inspiration for this one. To
narrow down the impressively large field of East Coast WEAD artists,
I chose only those with an address in Manhattan. Perhaps these two
shows are only the beginning of many world-wide WEAD exhibitions.
The
stories these women tell through art are some of the deepest human
stories, each told differently. The artists all work with earthly
materialsstone, paint, seeds, plants, metal, concrete, even
dirtto shape ideas of reverence, revelation, beauty, joy,
and sometimes pain. Some work individually, in private studios,
engaging in a direct and intimate dialogue with materials and meaning.
Others collaborate with groups of engineers, scientists, city planners
and politicians on projects that show us how to work with nature
instead of against it.
Eco-art
has the capacity to reveal the earth as our source of sustenance
and joy. It can also help us understand and temper the ever-more
overwhelming and destructive human presence on this magnificent
blue and green whirling ball that is our home. We are all creative
beings, and perhaps our greatest challenge is still before us: to
honor this Earth and work in concert with it. If we do so, we can
literally make a better world.
Much
of our past comes to us not through the word, but through the image.
And it may be that our future will come to us the same way: via
art.
Jeanne
Wilkinson
curator
Exhibition
Checklist
Michele
Brody
Sheepherder's Lace
copper pipes, polyester lace, grass seeds, water, tank, pump)
1994 - 2005
Jackie Brookner
The Gift of Water
bio-sculpture, Grossenhain, Germany, 2001
Untitled
composted topsoil on paper, 1997
River
Röder Floodplain Park
Poster for project proposal, Grossenhain, Germany, 2003
Mother
Tongue
soil with non-toxic paste binder and wood, 1993
Agnes Denes
Tree Mountain: A Living Time Capsule
11,000 Trees - 11,000 People - 400 Years
Finland, 1996
Wheatfield: A Confrontation
two-acre wheat field planted and harvested in lower Manhattan, 1982
Silvianna Goldsmith
Diptych: Garden Gemini
Digital print on canvas from altered photograph, 1999
Canova
Nymph
Novajet print on canvas, 1999
Chrysanthemum
Dress (Back)
Novajet print on D'Arches watercolor paper from computer-scanned
image from slide, 1999
Homage
to Rousseau
Digital print on D'Arches watercolor paper, 1999
Female
Genie
Novajet print on D'Arches watercolor paper, 1999
Homage
to Diego Rivera
Novajet print on watercolor paper, 1995
Janice Gordon
This is the Story
mixed media, 1997
Fata
Morgana
mixed media, 1997
Shelley Haven
Punta Morena Series
12 Viscosity-printed etchings, 2003-2004
Punta
Morena I, Variations 2, 14, 7
Punta
Morena II, Variations 2, 14, 7
Punta
Morena III, Variations 2, 14, 7
Punta
Morena IV, Variations 2, 14, 7
Donna Marxer
Alligator Hole
oil on paper, 2005
My Everglades is Bleeding I
oil on canvas, 2005
DRY/wet: Palm Island
oil on paper, 2005
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